Arts and Survival

This article on CNN about the role music is playing in the aftermath of the earthquake in Nepal caught my eye. There were similar stories and videos after the 2010 Haitian earthquake of people creating a bond of community through singing and music.

The singing isn’t getting anyone fed, clothed or sheltered, neglecting the very bottom tiers of Maslow’s hierarchy of need. But it does help with the next step up by providing a sense of love and belonging.

Though no one wants to see disasters like this happen, the fact that people’s basic instinct is to turn to music and dance to create community illustrates that the arts are not a frivolous luxury. They are an essential part of our identity.

Being able to participate with a group provides you membership in a culture. It doesn’t even necessarily have to be your birth culture. Insisting people speak English and be able to sing the “Star Spangled Banner” using the correct signifiers may seem overbearingly chauvinistic, but it also identifies what songs provide you entree to a community.

The other thing it illustrates is that not only does everyone have the ability to participate and practice an artistic discipline, it is important that they be able to do so. To a degree it is a basic survival tool mentally, spiritually and perhaps even physically if the sense of community it generates gains you food and shelter.

In a less dire circumstance, we had Garrison Keillor do his solo show about a month ago. He had the audience singing at the beginning and end of his performance. While I have read some criticism of his singing voice, it was sufficient to get everyone started. As the show was drawing to an end, I wondered if someone would be able to do the same thing in 20-30 years. With the ability to choose between disparate channels of information, there may be fewer common cultural touchstones in the next few decades.

Potentially it may be good for international relations if people thousands of miles apart can find 10 points of common ground. It may be less beneficial to local relations if neighbors can only find 10 points of common ground.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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