There are many people who feel that for 20 years or so Dietmar Machold personified everything totally wrong with the business of buying and selling fine string instruments. Developments in the last week might hearten those who have been waiting for some public validation of their concerns.
Tweetus Interruptus
On the heels of my post last week, Kevin Berger authored a rambling piece in the LA Times that is notable not just for its topical ignorance and dubious conclusions, but also its magnificent combination of half-truths, current industry jargon, Chicken Little nonsense, and a demonstration of what is truly possible when social media is used intelligently and effectively by a major arts institution.
Go Facebook yourself.
Why should arts groups focus more on social media? Aren’t orchestra audiences generally older and less willing to plug in and surf? Isn’t it more effective to send out email blasts and good old-fashioned print media, like flyers and subscription forms? As it turns out, probably not.
Not breaking news (from Detroit)
Yesterday, the Detroit News published a piece by Lawrence Johnson that examines some of the continuing problems at the Detroit Symphony, especially the ongoing trend of departing musicians. I was especially intrigued by the quotes from Tony Woodcock and DSO Executive Director Anne Parsons, who’s management style reminds me more and more of Dick Cheney. Or maybe Brownie.
Tailgate update
Many elements of Philadelphia’s new strategic plan are bound to be controversial. But look closely and you’ll observe that at least they had the good sense to propose one of my ideas regarding orchestral dress. I suppose it’s kind of amazing that they read all the way to my last paragraph. Not sure about them as a light classics band, though.
Plus ça change…
By now most everyone has heard about the latest developments in Detroit. My first reaction was one of shock and surprise; the surprise lessened considerably after I thought it through a little more. In fact, I found myself wondering why she hadn’t bailed out sooner. But nobody should misconstrue what’s happened- a major loss for the orchestra at a precarious time, and a definitive vote of no confidence from one of its most prominent and visible musicians.