A couple of brief news items:
Bravo to WFMT for supporting more live music with its new series, Live from the Morse. You can read about the new Morse Theater (and concert space) in the Chicago Suntimes.
Here’s my favorite quote from the article:
A couple of brief news items:
Bravo to WFMT for supporting more live music with its new series, Live from the Morse. You can read about the new Morse Theater (and concert space) in the Chicago Suntimes.
Here’s my favorite quote from the article:
What a crazy time we’re in, with global economics on everybody’s mind. Whew. If you need a break from crisis mode, there’s been an interesting conversation going on in the comments of this blog, and I’d like to move some of it up front and possibly get some input. I read an interesting article in the Seattle Times on Sunday on Defining Mixed-Race Identity. The changing face of the American population is a legitimate reason we classical types need to respond to what’s going on around us and not just hang on to our old — very old — traditions. But one of our readers pointed out that to him diversity means attracting new people to classical music, whereas I think it also means classical music reaching out by broadening its playlist to appeal to diverse listeners. Can it be both? What do you think?