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By Bill Eddins on March 19, 2010  |  Comments 2

How To Make Sure We Don’t Have An Audience in 20 years – Part The First

For the past 20 years or so there has been a constant stream of critics bemoaning the fact that there won’t be any audiences in 20 years for classical music.  Here we are 20 years later and there are at least some people coming to hear us perform.  But despite all the warning signs about our business there is still a whole swathe of folks in our business who seem intent on driving away as many people as possible.  Thanks for your help.

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By Ron Spigelman on March 19, 2010  |  Comments 0

Quick Takes: The Gold Medal for the greatest Orchestra goes to…..

Another attempt to pit Orchestras against each other in an unofficial “Olympics” at Carnegie is a real head scratcher.  What is the prize, who actually cares and what is the point?  Thankfully Alex Ross provides some sanity but what is interesting is how Orchestras making the Carnegie pilgrimage seem to think it is a magic bullet to spur ticket sales back at home……

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By Bill Eddins on March 16, 2010  |  Comments 4

Those Who Can’t Do Redux – Maestro Myths

As I expected there was some very interesting feedback from my recent conductor rants.  Personally, I find the fact that the secret society of The Golden Baton didn’t send the Mahler Ninjas to disrupt my concerts last week quite surprising – whether that means that I’m just too small time to merit their attention is a subject for another posting.  But back to the feedback – boy, there are still some serious Maestro Myths out there.

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By Ron Spigelman on March 11, 2010  |  Comments 0

Passing the Buck(eye)….

Why is it always surrender?  Why can’t it be retreat to re-engage, re- strategize to re-connect with a community, or rebuilding instead of  tearing down?  The Columbus Symphony is going a very strange route and is in danger of being on a one-way street with no turning back allowed by essentially giving over day to day operations (and possibly more) to another group.  The problem is indicative as the orchestra world grapples with economic realities, but again I say let’s stop being victims and start taking action.  We need to stop waiting for the tide to turn and start making some waves!…..

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By Ron Spigelman on March 05, 2010  |  Comments 5

More ASS in clASSical – Unexplain This!

So I’m late in getting to the widely panned Philly marketing campaign Unexpect Yourself.  Now to their credit it has created a lot of buzz in the blogosphere but whether it translates into sales and repeat business….well time will tell.  What marketing in general seems to lack is creating a connection to relevancy with this and many other tag lines going for a just try it kind of E Harmony vibe.  There is an incredible study out there that marketers should take note of that is not sexy but is relevant and might change the philosophy of sending out the message into sending out the messenger(s)…..

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By Ron Spigelman on February 24, 2010  |  Comments 0

Even More STATisfying! – part 2

Yesterday I wrote of our 80%+ concerts that are free of charge, today I want to take my hat off to the biggest donor group (outside of our board) so far this season.  This is another stat that made us very proud, and it was also a surprise to them!  They are……..

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Very STATisfying! – part 1

It’s about Artistic excellence, We want to be the best orchestra this side of the…(insert iconic river or Great Lake here!), We’ve practiced, practiced, practiced…now we want to go to Carnegie Hall.  How many times do you hear how great an Executive and/or Music Director wants their orchestra to be, but what does great actually mean.  I contend that for an organization to be great it is others that need to bestow that adjective upon us, not ourselves.  After all Olympians never judge themselves.  I contend that the goal should always be Organizational Excellence, I want to share a stat…you be the judge….
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Lest We….Lebrecht!

I have always been a fan of Norman Lebrecht.  His book Mahler  Remembered is an anthology of recollections from friends, colleagues, observers, critics and the like.  The personal nature of the book drew me in giving  me some sense of Mahler the man along with the times he lived in, going beyond his musical prowess.  It therefore puzzled me to read his blog post dismissing 10 or so current conductors personal takes on Mahler…..
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… and if you CAN do…. A.K.A. – Another Inconvenient Truth

I’m an equal opportunity kind of guy.  Since in my last post I called into question all those working conductors out there who don’t play their instruments anymore, I feel it’s only fair to look at another side of the coin – players who are driven to pick up the baton.  I’m starting to feel like I’m breaking the Omerta code…


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Quick Takes: Putting your mouth where the money is!

We have all heard it word of mouth is the best form of advertising, and who would doubt it?  Problem is it is both hard to quantify and to come up with data to prove its effectiveness, or so I thought……
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Those who can’t do…… A.K.A. – An Inconvenient Truth

I have probably already posted about this topic, but since I have started off this year seemingly determined to aggravate, irritate, and generally annoy everyone in the business whom I possibly can, I think it’s about time to tackle this issue once more.  To wit….. what has happened to the conductor who still plays their instrument?


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Grammys? Who cares!!!!

It’s that time of year again.  The Grammy Awards are all the talk of the business, and once again there is the yearly bellyaching about how the Classical Grammy awards aren’t shown on TV.  Well……. who cares?


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