The Death of the Learnéd Musician

I’ve noticed a very disturbing trend in musicians that must be rectified.  It is a problem that might not be immediately noticed by the general public but, none-the-less, promises to cheapen our art to the point where live performances will become irrelevant.  It can be summed up in three words – “Think for yourself.”

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Flogging the Wrong Horse

It has been an interesting couple of weeks on the orchestral front.  New ED in Colorado, pissing match between a top soloist and a top conductor.  Oh, and an orchestra that has lost it’s mind.  Same as it ever was.

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We Have Met The Enemy….

By now many readers will have read this excellent post by Bernard Holland, distinguished music critic and writer for the New York Times (assuming that the NYT, in their infinite wisdom, will not try to charge you for access).  Mr. Holland, in his opus from ’03, has succinctly put forth a very elegant and reasoned argument for why orchestras in this country are going the way of the Dodo.  Only one problem – he didn’t go far enough.

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How To Make Sure We Don’t Have An Audience in 20 years – Part The First

For the past 20 years or so there has been a constant stream of critics bemoaning the fact that there won’t be any audiences in 20 years for classical music.  Here we are 20 years later and there are at least some people coming to hear us perform.  But despite all the warning signs about our business there is still a whole swathe of folks in our business who seem intent on driving away as many people as possible.  Thanks for your help.

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… and if you CAN do…. A.K.A. – Another Inconvenient Truth

I’m an equal opportunity kind of guy.  Since in my last post I called into question all those working conductors out there who don’t play their instruments anymore, I feel it’s only fair to look at another side of the coin – players who are driven to pick up the baton.  I’m starting to feel like I’m breaking the Omerta code…

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Those who can’t do…… A.K.A. – An Inconvenient Truth

I have probably already posted about this topic, but since I have started off this year seemingly determined to aggravate, irritate, and generally annoy everyone in the business whom I possibly can, I think it’s about time to tackle this issue once more.  To wit….. what has happened to the conductor who still plays their instrument?

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