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Yes, And. The Early Days Of A New Nonprofit

After a few performances in the prisons over the last two years, it became clear we were bringing an entirely new and important conversation to the forefront. The conversations were never planned out. They consisted of sharing some music with prisoners and listening to their impressions, opinions, and thoughts. Outcome and expectations instinctively followed Improv Rules, specifically “Stop planning the next thing you’re going to say and just listen to the person in front of you,” and “Yes, And.” The philosophy of Yes, And is where an idea builds incrementally using a … Continue Reading

Your Orchestra Says It’s Progressive, Your Audition Requirements Say Otherwise

There are many initiatives in the classical music industry to promote living, woman, and minority composers. You will see numerous festivals and special concert series devoted to supporting and promoting these composers. That is exactly what should be done. Upon talking with many colleagues about their upcoming auditions, there is a noticeable trend that needs to stop. The music required for the orchestras’ upcoming auditions was written by composers who were long gone: long gone white male composers. While these audition repertoire requirements have been considered “standard” for the last 25+ years, … Continue Reading

Why Are You Here

Why Are You Here?

Sometimes the simplest of questions are the deepest. “Why are you here?” was asked at a prison recital last month. The prisoner wanted to know why performers would come to such a place when we could be anywhere else. But that question meant more to me than just why I would perform music in a prison. That question is a question any musician should be able to answer honestly at any point in their career. Why was I doing what I was doing, anyway. It is a question that forces one to … Continue Reading

Cultivating Curiosity

Cultivating Curiosity

The perception that a classical concert requires a lot of rules to enjoy a concert is not far from the truth. Rules and etiquette, written and unwritten, create a very long list from what to wear to when to clap that can be very off-putting for newcomers and regular concert goers alike. On top of the general etiquette, there is a perception that one must be taught many things about the orchestra. Does information about the composers, the instruments, and the music need to be distributed and discussed before an audience member … Continue Reading

Do You Kiss Your Donors With That Mouth?

Do You Kiss Your Donors With That Mouth?

Just days after I won an orchestra position after a grueling audition, a phone call was scheduled for me to speak with the orchestra’s executive director to discuss the new job. Not two minutes into the conversation she told me to hang on and then proceeded to holler the following to someone else in her office: “Hey! We’re all going over to Hooter’s for some chicken wings…I’ll be there soon, K? And, hey, get me a margarita, but only if the waitress isn’t the bitchy one.” This was my first impression of … Continue Reading

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