Did You Just Agree To Go To Abilene?

Because non-profit arts often lead a tenuous existence which depends so heavily on the commitment of a small, fairly close knit group, organizations are likely to practice a number of organizational behaviors. One of the least constructive of these is known as the Abilene Paradox. The Abilene Paradox takes its name from an anecdote told by Jerry B. Harvey to illustrate how everyone in a group can end up agreeing to do something none of them want to do.

Harvey tells a story about a visit to his in-laws that ended with the group of them traveling to Abilene, TX in a car without air conditioning to eat an awful meal because each person assumed the others wanted to go rather than stay home and continue enjoying their game of dominoes. The Abilene Paradox is widely used in organizational dynamics classes/seminars so I hope the reputation of Abilene’s cuisine hasn’t suffered.

If you think about it, you can probably recall a similar time when you agreed to a choice you didn’t believe was correct and felt vindicated in your judgment when it failed–except you had voiced your support. Perhaps you even voiced your reservations to another who agreed and discovered they felt as you did.

There is an article by Harvey that illustrates how the paradox can manifest itself in various situations and also contains suggestions on how to avoid taking a trip to Abilene. In what might appear to be the most extreme case, he suggests that the instigator of the misguided trip may need to step forward and declare their misgivings about their own project in order to break the fear which keeps the cycle of reinforcement intact.

“… we frequently fail to take action in an organizational setting because we fear that the actions we take may result in our separation from others, or, in the language of Mr. Porter, we are afraid of being tabbed as “disloyal” or are afraid of being ostracized as “non-team players.”

This is why I felt arts organizations might be especially vulnerable to trips to Abilene. Members aren’t simply employees/volunteers/board members but assumed to be true believers in the cause. There could be a fear, real or imagined that disagreement with the group equates to lack of commitment to the greater ideals rather than merely disloyalty to the company.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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