Little Bird, Will You Sing For Me?

Short entry today because I am feeling under the weather. I wanted to briefly reflect on my experience appearing on my local public radio’s fund drive.

First of all, we made the goal for the hour which was $500 more than the goal was last year. Even though I am not a public radio employee, I was feeling a little anxious as the end of the hour was approaching and we were still a little ways from our goal. It would be a blow to my pride if they didn’t succeed while I was there. Not only did I want what I was saying on air to be an inducement to pledge, but I was worried that the tickets I was letting them give away as a gesture of appreciation wasn’t being valued by the listening audience. In the end, all the tickets to one of our performances were snatched up.

One of the most interesting things that happened during my time there was that we were getting pledges from people in California and Louisiana. I thought maybe they were from some homesick people listening online. It turned out that the phone volunteers for that hour were self-professed computer geeks and were appealing to people on their extensive Twitter network to pledge. So we had people making $50 donations who never listened to the station based on their relationship with the phone volunteers.

Last month on my Inside the Arts’ neighbor blog, Scanning the Dial, Mike Janssen wrote an entry, “How Classical Stations Could Use Twitter.” I guess this is another use to add to the list. Of course, the use is hardly specific to radio stations. If you and your patrons and donors have an established network, be it on Twitter or some other social network, you might employ this tactic yourself. Renewals may have to be through the same friend rather than your development office because the person won’t have as strong a personal connection to your organization. But this fact will go that much further in convincing your local supporters that their efforts on your behalf matter and are appreciated.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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