Is This The First Step To Better A Structure?

If you haven’t heard yet, Michael Kaiser, President of the Kennedy Center has decided to turn the Center’s resources, knowledge and expertise toward helping arts organizations around the country weather the current financial turmoil in a program called Arts in Crisis.

I am very hopeful about this effort and I want to encourage people to participate either as a seeker of knowledge or as a mentor. Like many people, I have some reservations. My primary concern was if he and his staff were really equipped to do this. It seems like a big job. I haven’t really been impressed by ArtsManager.org which is also a service they offer. The discussion boards are barely trafficked, resource area doesn’t have much and job boards are completely empty. I can participate in more lively discussion on blogs and other forums without having to register. There are much better free job and resource sites.

On the other hand, Arts in Crisis effort might be closer to the Kennedy Center, and certainly Kaiser’s true competencies. There are few organizations in the country who have the resources and knowledge to act as brokers of knowledge in this manner. Frankly, if this is going to work Kaiser might do well to tap those other few organizations to get involved and provide guidance, resources and leadership in encouraging people to become mentors. This may mean that Arts in Crisis needs to leave the Kennedy Center’s direct control if another has the infrastructure to marry knowledge with need. The National Performing Arts Conference Conveners and Partners, for example, have databases full of arts professionals and have had more personal and direct contact with them than the Kennedy Center has.

My optimism and hope is that the current necessity is the mother of invention of a method of partnering, mentoring, information sharing and learning that arts and cultural institutions sorely need. If some strengthening network emerges out the road Michael Kaiser and the Kennedy Center have started upon, that will be great.

My concern is that for this to happen there is a lot of resistance to overcome. People might have fear of revealing weaknesses to local competitors or fear of mentoring a competitor only to have them use the good advice to eclipse them. It might be best to match up people who aren’t too far away to drive for site visits but distant enough not to be in direct competition.

There might be fear of helping another organization will mean neglecting your own. Or people might just not think they have anything to offer. One of my initial thoughts was that I wished I had the knowledge necessary to help–forgetting for a moment that I have contributed a respectable amount of constructive feedback for the PACE construction project.

The truth is, a lot of arts professionals with a great deal to offer may not have the first clue about how to effectively mentor and provide feedback to others in the industry. It will probably be important for the Arts in Crisis team to provide training videos and printed materials to assist in the process. My suspicion is that it may take a lot of poking and prodding from discipline service organizations and state/local arts councils to get people to imagine themselves as a mentor and download the materials.

As I said, the best of all possible worlds will be one where the industry emerges with greater strength and unity, confident and having proved they are a force to be acknowledged by governmental entities.

Going beyond that, the ideal would be for many organizations to form productive partnerships and then be able to go out and instruct others in their core competencies. One group might have developed a crackerjack presenting consortium, another might have a great method for developing and producing new works in partnership with higher education writing and performing arts programs, still another might have successfully leveraged their collective purchasing power to share legal, accounting and facilities services.

What will ultimately strengthen us is not depending on the expertise concentrated in a few central entities. It is going to be cultivating collective strengths
and having a system by which others can access the knowledge, even if it is as simple as having a list of the right people to call.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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