Can’t It Wait?

This weekend I was listening to Sherry Turkle’s 2012 TED Talk where she essentially reversed a position she held in 1996 about all the benefits technology would bring to our lives.

It isn’t really news to anyone that people are using technology to essentially mediate their interaction with their environment. However, the more I watched her talk, the more concerned I got about the implications about society at large and the more wary I got about the value of tweet seats in live performances. (my emphasis)

People text or do email during corporate board meetings. They text and shop and go on Facebook during classes, during presentations, actually during all meetings. People talk to me about the important new skill of making eye contact while you’re texting. People explain to me that it’s hard, but that it can be done.
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I call it the Goldilocks effect: not too close, not too far, just right. But what might feel just right for that middle-aged executive can be a problem for an adolescent who needs to develop face-to-face relationships. An 18-year-old boy who uses texting for almost everything says to me wistfully, “Someday, someday, but certainly not now, I’d like to learn how to have a conversation.”

When I ask people “What’s wrong with having a conversation?” People say, “I’ll tell you what’s wrong with having a conversation. It takes place in real time and you can’t control what you’re going to say.” So that’s the bottom line. Texting, email, posting, all of these things let us present the self as we want to be. We get to edit, and that means we get to delete, and that means we get to retouch, the face, the voice, the flesh, the body — not too little, not too much, just right.

Human relationships are rich and they’re messy and they’re demanding. And we clean them up with technology. And when we do, one of the things that can happen is that we sacrifice conversation for mere connection. We short-change ourselves. And over time, we seem to forget this, or we seem to stop caring.

There is a lot more I initially quoted from her talk, but I felt like I had to trim it down a bit for brevity sake. Which is actually related to her point, I suppose.

At one point she talks about people viewing boredom and solitude as a problem that needs to be a solved with some sort of contact and so every red light and check out line is a potential cause of anxiety.

I am concerned about giving people tacit approval to shift focus to their cell phones instead of making an effort to engage with whatever is in front of them. Many shows have content that challenges audiences and makes them uncomfortable. It would be good if people didn’t have an excuse to avoid the conversation. I am not talking about in your face statements about social inequality and the inhumanity we visit upon each other, though they are worthy of discussion. I am thinking also of the disillusion faced by Willy Loman.

I guess the response is that 1- Not everyone will choose to tweet about something other than the event and may move the conversation to a larger audience and 2- You won’t have any problem if you give them something compelling to tweet about.

But the fact is, often your immediate and gut reaction to something isn’t all there is. Your response can at least wait until the end. Often you won’t know how you really feel about it until you have had a day or two to digest your experience. You may come to ruefully realize you were masterfully manipulated or that your disappointment wasn’t due to what you initially attributed it to.

I know a complete resistance by outlawing social media devices is not going to be practical. And there are likely many very constructive ways an art organization can cultivate and guide the conversation to create a larger discussion that results in people valuing their presence, even if they never attend an event.

But again, I come back to the question, can’t it wait?

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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