No, Humanities Don’t Suck

Some of you may be aware that there is a fairly active debate about the utility of humanities degrees in progress. Some governors are proposing students pursuing STEM majors pay a lower tuition than those pursuing humanities degrees.

There are studies that show while humanities majors make less than business and science majors right out of graduation, they end up making more 10-15 years down the road.

“Undergraduate professional degrees frequently lead to relatively high starting salaries and relatively flat pay scales thereafter. Humanities undergraduates may struggle more in the first few years after graduation, but in the long run they frequently find career paths with greater long-term growth potential; the skills in reading, writing, and critical thinking that we all talk about turn out to have real-world uses. Students and the general public legitimately worry about employability, but there’s no reason for us to surrender to the mistaken belief that humanities degrees are a poor investment.”

Studies like this and the Strategic National Arts Alumni Project (SNAAP) are helping to collect data to refute the idea that humanities majors are useless.

The technical director for my performing arts center and I were talking last week when the conversation turned quickly to the value of the performing arts as a major that confers real world skills.

If you are reading this blog, you are likely already aware of most of them: You learn to plan a project invested with your own personal vision; research your portion of the project; present and execute your part of the project as part of a team.

Some arts disciplines require you to cross train in both technical and performance roles. All performing arts disciplines require the practitioner to possess some degree of empathy.

These are all skills that pretty much every business desires in an employee.

Then there is the big benefit–the unambiguous deadline.

One of the things I know drives college professors crazy is when a student says they can’t finish the paper and can they hand it in on Monday. If this option is denied, the student often enlists parents and administrators on their behalf. For all the good reasons the professor may have for not allowing this exception, a Friday versus Monday deadline appears to be somewhat arbitrary.

But when the performance time comes, that is the inescapable deadline. Well, I suppose it is escapable, but the time to “hand in” your assignment comes and passes with or without you. Whether it is submitted and what the quality of the work is apparent as are the consequences, if any.

One can always fake it and one’s parents will frequently speak praises regardless of whether they are earned. There is no guarantee a student will graduate with good organizational skills.

However, performance is an area where practical skills applicable to the real world are taught because the end product is meant to be consumed in the real world.

These are all skills that clearly do matter and have real world applications. The message that the humanities don’t matter undermines the teaching of these skills.

In the process of getting someone ready to give a public performance, there are many smaller scale performances conducted in more private environments. The stakes are much lower so it is easier to be irresponsible about handling your contribution.

But each one of these times instills the abilities needed for that big public performance. For many people that culminating event may not be on stage, but pitching an idea in the boardroom of Johnson & Johnson.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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4 thoughts on “No, Humanities Don’t Suck”

  1. Joe – a great post, thanks for this. As someone with a theatre degree (actually theatre management – technical theatre and business management double major which was rather radical thinking in the early 1980’s) I agree with you 100%..

    My THEATRE training (not my business training) taught me the most important business and political skills there are: respect for public deadlines, the ‘art’ of risk taking, communication skills, the ‘figure it out and get it done’ attitude and that creative teams ‘make things happen’. On a base business level: how to take and idea, make it a product, present/sell/distribute that product and make people happy, or at least thoughtful. No ands, ifs or buts. It had to be done, customer service was a priority and you had better tell a damn good story or no one will be interested.

    Yes, at first I struggled. Then my career (and subsequent pay) took off. Now I find myself living and working halfway around the world as the director of a national museum in Australia. If you had told this kid from New York that I would have a career path from stagehand to stage manager to producer to fundraiser to UN lobbyist (don’t ask) to small business owner to arts consultant to museum director I would have laughed. But here I am and theatre is what got me here.

    Would I recommend a degree in theatre or the arts? Hell yeah. We may work in the arts but it is all about politics and economics; and they [politics and economics] are all about focused storytelling; and no one knows focused storytelling better than artists and theatre people.

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      • I leftout fire fighter, furniture maker, party planner and a brief period working the front desk of the Waldorf=Astoria Hotel … but yeah, it has been a wonderful adventure. I was loobying for GLBT (well back then just the G&L) rights. Didnt do it for long, but sure learned alot about human nature and patience … and not taking anything too personally.

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  2. Absolutely agree. Shades of Sir Ken Robinson, too! Although the focus of his talks is more about the general tendency of education to kill creativity (rather than the usefulness of one degree over another), he always advocates greater focus on the humanities and the arts in education.
    http://www.youtube.com/watch?v=wX78iKhInsc

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