Wait! I Didn’t Mean YOU

I was taken off guard by the news today that the Trey McIntyre Project is disbanding. I always half wondered if the company wasn’t meant to be permanent based on the fact they kept labeling their work in sequential years, Year 1, Year 2, etc.,

My first thought when I read the announcement was that they were following the Epoch model proposed by David McGraw I wrote about a couple years ago. While they are closing the company, there is a transition toward projects they (predominantly Trey) was already dabbling/becoming involved in. The Epoch model calls for a “quit while you are on top” exit strategy so I experienced a “be careful what you wish for” sense of dismay a few moments later.

As I have talked about before, The Trey McIntyre Project achieved in Boise, ID what every arts organization fantasizes about doing– on the street recognition and esteem on par with the local university football team.

In this respect they are something of a singular success story so I want them to continue on as an exemplar to the rest of us. The idealism of quitting while you are ahead sounds great in abstract, but reality of executing it pretty much guarantees and requires there to be high levels of disappointment.

Well we can hope the next generation of inspiring arts organizations is waiting in the wings to fill the void. Or step up and do it ourselves.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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