Undiscerned Value Hidden In The Cracks and Corners

There have been a lot of library closings in the UK over the last few years so VICE went around and asked people what libraries meant to them and how they were using them.

People they spoke to valued libraries as quiet, distraction free study spaces; as a location to organize meetings; resources for learning and internet access; and as a plain old place to get reading materials and fire the imagination.

This reminded me of a post I wrote around 18 months ago about how the Columbus (OH) Metropolitan Library surveyed patrons asking what libraries meant to them in their youth and what they anticipated it would mean to them in the future.

By and large, the responses from Columbus were similar to those in the UK in that people valued the ability to access information and conduct the important activities of their lives.

As I quoted from a CityLab article in that post:

“The physical library will become less about citizens checking out books and more about citizens engaging in the business of making their personal and civic identities.”

One obvious question I didn’t raise in my earlier post is whether arts organizations can effect a similar change in the relationship the community has with their facilities. A frequent criticism of performance venues and stadiums are that they are only used when there is a performance resulting in a type of waste whereas museums are used more consistently.

While the location of some performance venues is not conducive to easy use due to the lack of sidewalks, foot traffic and general environmental dynamics, there may be other opportunities that would position the venue as more of a resource to the community.

On the other end of the spectrum, sometimes it is difficult to know if trying to improve the environment might be counterproductive. For example, I noticed an increase of people hanging out in our lobby sitting/laying on benches reading and listening to music on headsets. I had considered getting some cafe tables and chairs people could sit at so they had a surface to work on. Since people have mentioned they value the quiet, I wondered if adding more amenities might attract more activity and ruin the environment people had sought out.

In the last two years, I started noticing people hanging out in strange locations that I couldn’t imagine were comfortable to sit in. Even though there were outlets in these places, the people who consistently staked them out as their own didn’t often have devices plugged in. I think it was the fact it was even more quiet and private than the lobby.

Then there is the woman who occupied a slightly more private, though still visible nook to practice yoga.

If someone came by and asked for a room to meet/study in or a place to hold a yoga class, that would be difficult due to the level of activity in the building. But if someone only needs a corner for themselves and a few others, it is available, provided they aren’t picky.

It is in those minute, almost imperceptible circumstances that an arts facility can have the opportunity to alter the manner in which they are useful to the community.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

CONNECT WITH JOE


Leave a Comment