“Keeping The Cows Happy”

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This isn’t the article I had prepared to publish this month but a recent event has compelled me to post this article now, before the summer season is over. Performing as a violinist in the Grand Teton Music Festival Orchestra for the past seven years has allowed me to encounter the most interesting listener. He drives 85 miles, one-way, along with his enormous black lab from Pinedale, WY purely to experience our live symphony concerts.

Dressed in denim and plaid shirts this seemingly ageless man, a real-life cowboy, follows a well worn routine: after arriving at the hall he sets out a bowl of water and a thick blanket for his dog, secures the dog’s leash, and then patiently waits for the doors to open so he can take his seat. During intermission, he checks on his dog and talks with the players who are able to get outside. I have never known a listener quite like him. The devotion this man shows with his four-hour round trip drive to hear us perform is particularly touching.

From the performer’s perspective, audience faces blend together over the years. As a result, I had stopped wondering why people come to the concerts and noticing individual audience members in general but meeting this man at our concerts has somehow revived my outlook on performing.

Recently, I asked him why he endured such a long drive to come listen to our concerts.

He looked at me with a twinkle in his eye and responded,

“I work about 80 hours on my ranch, these concerts take me out of my body and brightens the soul,” he said. “And besides, it keeps the cows happy when I’m happy.”

I don’t recall expecting any answer in particular but that caught me a bit off guard. Nevertheless, intermission was nearly over and it was time for me to get my instrument ready for the second half of the concert.

But after that brief encounter, my outlook was different.

Having someone in the audience come to revive their own soul, escape their week, and “make their cows happy” made playing more fulfilling. I don’t know when I started to lose site of the importance of audience enjoyment but thanks to the conversation with this man, and his trusty dog in tow, it’s as if I have revived my own soul.

On my way into the hall for last week’s concerts, I caught sight of the black lab enjoying the comfort of his blanket and it brought me great joy. I knew the man was somewhere in the audience and I knew he was going to get a soul-brightening experience but I also knew that I would be receiving the same benefit. Having an audience full of listeners like this man helps make this profession worth it.

This year I have encountered other interesting and unlikely orchestra fans that come to the Grand Teton Music Festival: fishermen, hunters, biologists, and pilots for Fed Ex. Each individual has their own story and their own reason for attending which, in turn, gives me more enjoyment in sharing the music. Having such a diverse audience gives me hope for the future of classical music.

After last week’s concert, I caught sight of the cowboy pulling along his very sleepy dog while humming the last bits of Tchaikovsky’s Symphony 5. The man will never know the importance of our brief conversation, but I am forever grateful.

For me, this encounter has reaffirmed one of the most important elements in classical music: the audience.

About Holly Mulcahy

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. She currently serves as concertmaster of the Wichita Symphony Orchestra. She spends her summers at the celebrated Grand Teton Music Festival. Believing in music as a healing and coping source, Holly founded Arts Capacity, a charitable 501(c)3 which focuses on bringing live chamber music, art, artists, and composers to prisons. Arts Capacity addresses many emotional and character-building issues people face as they prepare for release into society. Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award winning master bow maker, Douglas Raguse.

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